The Resident Audio T2 interface is the most affordable unit featured on the list. However, don’t let that give you any preconceptions to the quality of the interface, in particular, the sound quality, with it being able to operate at 24-bit/96kHz. Recommended FireWire Repeaters for Mac Systems FireWire repeaters are used to add additional FireWire ports to a FireWire bus and/or to provide FireWire bus power to devices that require it (such as the Apogee Duet audio interface). Repeaters are recommended instead of FireWire “hubs,” which may not perform optimally. Every model in this best budget audio interfaces guide can be used with both Mac and PC setups, and many can also be used with Apple’s mobile iOS devices too. You will see lots of interfaces described as ‘class compliant’ which essentially means they are plug-and-pay with iPhone and iPad.
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- Best Firewire Audio Interface For Macbook Pro
- Best Firewire Audio Interface For Mac Windows 10
Whether you’re starting a new home studio, or improving an existing one…
There’s no single purchase more confusing than the audio interface.
Because among the dozens of options…
Each one is designed to meet the demands of a specific “type” of studio.
For example…
At one extreme, a small $100 interface might be perfect in a simple bedroom studio…
If all you need is a single pair of outputs for your studio monitors.
At the opposite extreme, a pro studio that requires dozens of INs/OUTs might need several interfaces, each costing $4000 or more.
Needless to say, matching the right interface with the right studio is tricky even for the experienced. And for beginners, its 10x worse.
Which is why for today’s post, I’ve created an in-depth guide to help you find the perfect option for your studio.
So let’s get started. First off…
The 5 Key Features to Look For
Because of the fact that audio interfaces have so many features, it’s difficult to know which ones matter, and which ones don’t.
So let’s talk about that now. In particular, these are the 5 key specs to focus on:
- DAW Compatibility
- Interface Connectors
- Input/Output (I/O) Count
- Input Channel Types
- Form Factor
And here’s why:
1. DAW Compatibility
In general, most DAW’s work with most interfaces…but not always.
If you don’t yet have a particular DAW that you are loyal to, then you need not worry here.
Because 90% of the top DAW’s will be compatible with any interface you choose.
However if you alreadyhave a DAW you want to continue using, be sure to verify compatibility on the company’s website. And just to warn you, this info is often hard to find.
You would think they would just post DAW compatibility in the interface’s product description, right? But it rarely happens. Usually it’s buried somewhere within an FAQ page.
While it’s not clear why this is done, my best guess is that these companies prefer not to advertise their current DAW compatibility, because they have no guarantees of future compatibility.
A particular interface might be compatible with your DAW today, but it may not be in a future release. And while that’s not likely to happen, it’s always possible.
Which is why personally, I prefer to use a DAW/interface combo made by the same company. Later in this post I will give you some good examples of these.
However, since there are only a few companies that make both, the downside to this solution is that it severely limits your options.
Up next…
2. Interface Connectors
When connecting an audio interface to a computer…
There are 4 cable options commonly used:
- USB– which is typically seen on cheaper home studio interfaces, and offers the slowest data transfer rate.
- Firewire– which is used on more expensive home studio interfaces, and offers a significantly faster transfer rate (nowadays these are becoming less common).
- Thunderbolt– which has recently become popular with newer semi-pro interfaces, and is way faster than either USB or Firewire.
- PCIE– which has long been the standard connection for professional interfaces, because it offers additional processing power and extremely fast data-transfer.
While USB is by far the slowest of all 4 options, it is still more than fast enough to get the job done for the vast majority of home studios.
So if you’re on a budget, USB is what I recommend.
But whichever type you choose, remember to double-check that your computer has the appropriate connection.
3. Input/Output (I/O) Count
On a typical interface, I/O counts can range anywhere between:
- 1-2 on a simple interface, to…
- 20+ on a professional one.
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And the number you need for your studio depends mainly on the number of tracks you plan to record/monitor at once.
For example:
- Solo musicians – may need only 2-4.
- Songwriting teams – who work in small groups, want at least 4-8.
- Engineers who record bands – should have as many as possible (16 at least).
Also…electronic drum kits alone can sometimes require 8 inputs if they offer separate channels for each part of the kit. So take that into consideration if you plan on using one.
4. Input Channel Types
One thing recording newbies often fail to realize is…
When counting the input channels of an audio interface, manufacturers could be referring to any number of different input types.
However in almost all cases, it includes some combination of these 3:
- Mic Input – which allows you to connect a mic directly to the interface.
- Line Input – which requires the addition of an outboard mic preamp to be used as a mic channel.
- Optical Input – which is a type of “digital” input that requires the addition of BOTH an outboard mic preamp, and digital converter w/ “optical out” to be used as a mic channel.
Now here’s what this means for you:
If you want to use your interface “as-is” without adding a multi-channel mic preamp, you might have less available inputs than you think.
Because as you’ll notice, interfaces often have 16 or more total input channels, but only 2-8 mic inputs.
So without any additional gear, the “real” number of inputs on your audio interface is the mic preamp count, NOT the same as the input count.
Now that you know…make sure you actually have enough channels for your purposes. Otherwise you will be sorely disappointed.
NOTE: Two other input types that you should also look for are DI inputs (if you play guitar/bass), and MIDI inputs (if you use any type of keyboards/MIDI controllers).
5. Form Factor
A fancy jargon term used by computer geeks…
“Form factor” simply refers to the physical size and shape interface.
The two form factor options are:
- Desktop Interfaces – which are smaller, and sit on your desk next to your computer.
- Rackmounted Interfaces– which are larger, and mount in a standard size rack unit.
For beginners, I recommend starting with a desktop interface, because they’re cheap, easy-to-use, and require no special mounting or peripheral devices. You just plug them in and start recording.
With intermediate/advanced studios, rackmounted interfaces are typically better, as they tend to offer more I/O’s, as well as greater flexibility with signal routing and organization.
Now that you know what to look for, let’s check out some specific models.
Starting with…
Best Desktop Interfaces
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For the vast majority of people reading this article, who only want a cheap interface that will allow them to record their music at home…
I recommend a 2-6 channel USB desktop interface, which normally costs between $100-$300 on the low-end, and $500-1500 on the high-end.
Currently, the top brands for these “types” of interfaces are Presonus, Focusrite, Avid, Universal Audio.
Here are the models I recommend from each brand:
Presonus AudioBox 96 (USB connection)
(includes Presonus Studio One Artist DAW)
- AudioBox USB 96 – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
- AudioBox iTwo – (iPad Compatible) – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
Who do I recommend these for? – Beginner studios on a tight budget who want a bundled interface/DAW combo.
Focusrite Scarlett (USB connection)
- Scarlett Solo – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
- Scarlett 2i2 – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
- Scarlett 4i4 – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
- Scarlett 8i6 – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
- Scarlett 18i8 – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
Who do I recommend these for?
Beginner studios on a tight budget who already have a 3rd party DAW they prefer.
Focusrite Clarett (Thunderbolt connection)
- Clarett 4Pre – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
Who do I recommend these for?
Studios of ALL levels that don’t need a lot of I/O’s and can afford the price tag.
Apogee (USB connection)
- Apogee One – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
- Apogee Duet – (Amazon/GuitarC/MusiciansF/Thomann)
- Apogee Quartet – (Amazon/GuitarC/MusiciansF/Thomann)
Who do I recommend these for?
Intermediate studios that don’t need a lot of I/O’s, or beginner studios that can afford the price tag.
Avid (USB connection)
(Bundled with Pro Tools 12 DAW)
- Pro Tools Duet – (Amazon/GuitarC/MusiciansF/Thomann)
- Pro Tools Quartet – (Amazon/GuitarC/MusiciansF/Thomann)
Who do I recommend these for?
All Beginner/Intermediate studios who want to use the industry standard Pro Tools DAW.
NOTE: While the Apogee Duet and Quartet are “Mac Only” interfaces, the newer Pro Tools Duet and Quartet are compatible with both Mac and PC.
Universal Audio (Thunderbolt connection)
- Apollo Twin SOLO – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
- Apollo Twin DUO – (Amazon/B&H/GuitarC/MusiciansF/Thomann)
- Apollo Twin QUAD– (Amazon/B&H/GuitarC/MusiciansF/Thomann)
Who do I recommend these for?
Intermediate/advanced studios who want pro studio quality, in a home-studio-sized package.
More Options?
If for some reason of the previous options aren’t to your liking…
Here are 2 more great budget desktop interfaces to check out:
- Audient iD4 (USB) – (Amazon/Thomann)
- Audient iD14 (USB) – (Amazon/Thomann)
And here is 1 more great high-end desktop option:
- Antelope Audio Zen Tour (Thunderbolt/USB) – (Amazon/GuitarC/MusiciansF/Thomann)
Up next…
Best Rackmounted Interfaces
For the purposes of this article, let’s define an “intermediate” studio as a home setup that requires a higher I/O count to meet the demands of some of the more complex recording tasks.
If that’s the type of studio you need, I recommend an 8+ channel rackmounted interface.
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Again…the best interfaces in this category are made by Presonus, Focusrite, Apogee, Universal Audio, and Antelope Audio:
Here are the top models I recommend:
Presonus
- Audiobox 1818VSL (USB) – (Amazon/GuitarC/MusiciansF/Thomann)
- Firestudio Project (firewire) – (Amazon/GuitarC/MusiciansF)
- Studio 192 (USB) – (Amazon/GuitarC/MusiciansF/Thomann)
Focusrite
- Scarlett 18i20 (USB) – (Amazon/GuitarC/MusiciansF/Thomann)
- Clarett 8Pre (thunderbolt) – (Amazon/GuitarC/MusiciansF/Thomann)
- Clarett 8PreX (thunderbolt) – (Amazon/GuitarC/MusiciansF/Thomann)
Apogee
- Ensemble (thunderbolt) – (Amazon/GuitarC/MusiciansF/Thomann)
Universal Audio
- Apollo 8 (thunderbolt) – (Amazon/GuitarC/MusiciansF/Thomann)
- Apollo 16 (thunderbolt) – (Amazon/GuitarC/MusiciansF/Thomann)
Antelope Audio
- Antelope Audio Zen Studio – (Amazon/GuitarC/MusiciansF/Thomann)
- Antelope Audio Orion Studio – (Amazon/Thomann)
- Antelope Audio Orion32+ – (Amazon/Thomann)
And finally…
“Professional” Interfaces
While any of the interfaces we’ve covered so far are more than capably of producing “professional” results…
There’s higher class of audio interfaces that we have yet to cover.
Normally only seen in high-end pro studios, these multi-thousand dollar interfaces typically connect to a separate PCIE card which can only be installed on a desktop computer.
The typical reason studios acquire this type of interface is to upgrade to Pro Tools HD, which is the standard system used by the majority of pro studios in the world.
In terms of performance, they offer many premium advantages, including:
- Ultra-Low latency
- High I/O counts
- Premium Digital Conversion
- Multiple Connection Options
And while these interfaces would almost certainly be overkill for the average home studio…
It’s still good to know about them, just in case the day comes when you decide your studio needs one.
Some examples of popular interfaces in this category are:
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- Avid HD 16×16 – (Amazon/MusicianF/Thomann)
- Apogee Symphony – (Amazon/GuitarC/MusicianF/Thomann)
Now one last thing…
Assuming you chose a rackmounted interface, you’ll obviously need a rack to store it in, right?
So if you don’t have one yet, check out this article:
Designed by the company that revolutionized mobile music production, the ProFire™ 610 FireWire audio interface transforms your Mac or PC into a powerful 6-in/10-out recording studio. Premium digital converters deliver high-definition, 24-bit/192kHz audio throughout the signal path. Two preamps with award-winning Octane™ technology offer clean, transparent sound with low noise and exceptional headroom. Onboard DSP mixing provides a totally flexible recording experience—perfect for creating multiple, independent monitor mixes. The user-assignable master volume knob gives you flexible control over output levels. MIDI I/O allows you to connect keyboards and other outboard MIDI hardware. The half-rack-space unit also doubles as a standalone two-channel microphone preamp and A/D-D/A converter. ProFire 610 is compatible with major audio software including Pro Tools*, Cubase, Logic, Sonar, Live and GarageBand, making it an unbeatable choice for personal, high-definition recording.
Continuing the Legacy
The M-Audio® FireWire 410 audio interface helped ignite the mobile music revolution by delivering power and flexibility in a travel-friendly form factor. Musicians and producers tapped into a new level of creative freedom, using the FireWire 410 to make music in the field and on the go. ProFire 610 continues this legacy by introducing new features like Octane™ preamp technology, DSP mixing and high-definition, 24-bit/192kHz audio quality. By combining these professional, studio-grade tools in a half-rack-space unit, ProFire 610 delivers the most powerful mobile recording experience.
Award-winning Octane Preamp Technology
Great recordings start with great preamps. ProFire 610 brings you the same award-winning M-Audio Octane preamp technology that audio professionals trust for clean, transparent sound. Each preamp delivers low distortion and an extremely high signal-to-noise ratio—providing pristine audio fidelity right from the start of your signal path. In addition to exceptional sound, each preamp has a generous 73dB gain range**, 20dB pad and 48V phantom power.
Onboard DSP Mixer
ProFire 610 features an onboard DSP mixer, giving you an extra level of flexibility and improving the overall performance of your system. Use the software control panel to create custom configurations for different recording setups, then save the settings and instantly recall them later. You can set up five unique stereo mixes sourced from any of the hardware inputs and software returns simultaneously—ideal for assigning separate monitor mixes to multiple musicians. The onboard DSP mixer also enables you to monitor while tracking, just as you would with a hardware mixer.
High-Definition 192kHz Sound and Solid Performance
M-Audio designed the ProFire 610 using carefully selected components, including premium A/D-D/A converters that keep your audio signal uncolored and true to any input source. We engineered the electronic circuitry to provide an optimal signal path between input and output, resulting in extremely clean recordings that capture every nuance of your performance. ProFire 610 also features critically acclaimed JetPLL jitter-elimination technology for stable synchronization and exceptionally low audio band jitter. Building on M-Audio’s time-proven FireWire driver technology—found in the best-selling FireWire 410 interface—ProFire 610 delivers solid performance and reliability at sample rates up to 24-bit/192kHz.
User-Assignable Master Volume Control
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The ProFire 610 interface delivers flexible control over output levels, allowing you to create a monitoring setup tailored to your specific needs. The master volume knob can be assigned to attenuate all output pairs simultaneously—ideal for controlling a 7.1 surround mix. Alternatively, the master volume knob can control the levels sent to your main monitors, while headphone outputs 1 and 2 operate independently. With four analog output pairs and an intuitive software control panel, ProFire 610 offers a wide range of options for unique monitoring scenarios.
Standalone Operation
ProFire 610 also functions in standalone mode, allowing you to use its premium preamplifiers without connecting to a computer. Just power up ProFire 610, connect your microphones or instruments, and the preamp outputs automatically route to analog outputs 1 and 2, and S/PDIF. You can also connect digital devices via S/PDIF and convert to analog. This unique feature makes ProFire 610 ideal for both front-end preamplification and A/D-D/A conversion.
Best-in-Class I/O
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ProFire 610 features greater connectivity than any other interface in its class. Four unique analog inputs, eight analog outputs and stereo digital S/PDIF combine to form an impressive 6-in/10-out channel configuration. Easily access analog channels 1 and 2 via XLR/TS combo jacks on the front panel. Connect line-level instruments and effects processors to analog channels 3 and 4 via TRS. Use the eight 1/4' TRS balanced line outputs and digital S/PDIF to monitor and interface with outboard gear. Connect keyboards and outboard MIDI hardware to the 1 x 1 MIDI interface. The two front-panel headphone jacks are sourced separately with independent level controls for additional cue mixing flexibility. ProFire 610 allows you to enjoy full 24-bit/192kHz operation on all inputs and outputs simultaneously.
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Professional-Quality Design—To Go
Once upon a time, choosing a mobile recording interface meant sacrificing some of the features and quality found in big-budget studio equipment. Now ProFire 610 changes the game by delivering the same advanced technology and design elements found in our acclaimed ProFire 2626 recording interface. Harness the power of award-winning Octane preamp technology, DSP mixing and 24-bit/192kHz audio resolution in a bus-powered unit perfect for recording on the go.